A born and raised New Yorker, Charlotte always knew she wanted to be an actor. Whether it was running on all fours around her childhood apartment, barking at everyone she came across until they pet her like a dog, or orchestrating rows of enamored spectators using her stuffed animals, Charlotte knew from a very early age that she wanted to be in front of an audience.

Charlotte received her American High School diploma and French Baccalaureate at the Lycée Français de New York. An active member of both the French and English theater clubs, Charlotte knew that she wanted to pursue a career in the arts, but after living in New York for 18 years she decided to make a big change.

Charlotte moved to Scotland for her undergraduate degree and received a Master of Arts (Hons) in Film Studies and Psychology. Throughout her studies she was heavily involved with the 60-Hour Film Blitz, an annual community-wide festival that required contestants to write, produce, and edit a short film within 60 hours, where she received the Best Actress Award 3 out of the 4 years she competed.

After graduation, she stayed in Scotland to work at her university as the Director of Student Development and Activities (DoSDA) and in her spare time she joined the St Andrews New Drama (SAND) troupe, which she credits for re-affirming her desire to become a professional actor. Through devising workshops and play readings, Charlotte learned the power of play and exploration, and most importantly the importance of artistic collaboration. During her final weeks in Scotland, Charlotte performed at the Edinburgh Festival Fringe in a four-hander written and directed by Louis Catliff, a fellow St Andrews graduate.

Upon returning to New York Charlotte knew she wanted to hone her craft and dedicate herself to a rigorous training program. Through applying the Atlantic Acting School’s technique of Practical Aesthetics, Charlotte has become an artist whose creative process is grounded in truth above all. Whether it is transforming herself into Alfred Hitchcock, a half-Orc, or writhing on the ground as Helena in a Midsummer Night’s Dream in order to seduce her Demetrius, Charlotte always commits to the bit. She is unafraid to throw herself completely into a role and relishes the opportunity to push the boundaries of audience expectations.

She is a founding member of the Penultima Theatre Company with her graduating Atlantic ensemble, and currently serves as the company’s Production Manager for their upcoming production of The Last Days of Judas Iscariot by Stephen Adly Guirgis, in which she will also be performing the role of Henrietta Iscariot. Stay tuned for more information.